JR Art

I recently received an email from my friend Steph and was happy that she shared an artist, a French Photographer, she found who created some work in Rio. The project was apart of a series of photographs he took in Favela da Providencia-the first favela in Rio de Janeiro. The project consisted images in which the photographer captured the facial expressions of women whose lives are infested with crime, a violent loss of loved ones and arbitary repression as apart of everyday life.

I am most impressed with the artist's intent to create work that engages the community and becomes apart of the space rather than exploiting the community which I think sometimes happens with photography. Why simply just take a photograph when you could use it in such a way those around you are involved? It makes so much more sense. The amazing thing is these structures his photographs are placed on become small components included in the "grand picture" which is inevitably the homes inside this community ad things going on around them. The colors and textures just add to it making it cohesive and creating a face to the favela.

His website has lots of great photos from the project as well as an impressive list of other pieces he worked on, all of which were not funded by anyone but created simply for his own desire.

When I was visiting Rio, I had really wanted to visit one of the favelas and actually didn't live too far from Rochina which is one of the largest in Rio. I drove by it every time I took the bus or a cab from Barra into the city and every time it was mesmorizing to just drive by this hill side that was just full of all these bright colors and seemed almost impossible that people lived in these stacked shacks and at night they like stars in the night sky, any many ways I found it beautiful. I just loved it and in some ways feel the same way about buildings throughout Baltimore. I was at a discussion group about Baltimore vacant lots a few months ago and someone brought up the fact that these spaces are often times bitter sweet because we are drawn to these decaying structures and how there is something about them that is asthetically pleasing but at the same times they aren't always benifiting the community. I guess this applies more to spaces in Baltimore more so than the favelas in Rio but either way, when he said that I had an "AH HA" moment because that was exactly my own thoughts. I think there are solutions to these vacant spaces that could prevent them from being demolished but instead refurbished into something new. That seems like the solution to me.

But back to the favelas...

They offer these tours where you can ride in jeeps like your on a safari in this "other place" and unfortunately people do it. I had wanted to visit a favela with a walking tour group where you meet people from the community and they have markets where they sell hand made things so you are actually supporting the community but unfortunately wasn't able to. My cousin Nalita was so confused as to why I would want to go visit the place and I didn't really know how to explain it because in some ways you are exploiting these people's community and lives. I think some of it was for asthetic reasons such as those I mentioned earlier. I think I was more fascinated by the means in which people are able to live and survive in relation to our culture which to some is considered decadent. I guess it all comes back to our consumption and how much less we could consume if we were just more concious of our actions.


On a separate note I had a wonderful time at the Carnaval party hosted by the Creative Alliance. Pictures and a post soon to come!!